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Kelly Chen - Love Paradise s lyric Jolin Tsai Te Wu J (Agent J) s lyric with Engli.

Ni shuo wo ai ni tai duo, jiu kuai yao ba ni yan mo You said I love you too much, until you feel soon youre submerged.

Xie Xie for english translation, im S.H.E fans from Indonesia, im not quite understand mandarin language so i depens on english translation to understand the meaning of S.H.E songs.

Bu neng gou bu xiang ni ye bu neng gou wang ji ni..

Zong shi zai mong li yi zhi kan dao ni..

Dear Anthony, just a very literal translation of the song: Dont know since when, I started liking here.

It reminds me that any language can appear brittle on the tongue, with meaning stonewalled, and with vital little keyholes.

I am usually doing the reviewing and posting so felt nervous being on the other end of the critique.

Especially when I am in a cycle of terrible doubt about what I do and write, the state of the planet, the covid issues, the political game playing at home and abroad, about whether people read things any more.

Granted that I am transposing women poets into his words, however Melbournes description of te whare whakairo rings out as so similar to Greens own kaupapa in Wild Honey, namely, The whare whakairo is a place of shelter and peace.

It is a place where knowledge is stored and transmitted and where the links with ones past are made tangible it is a complex image of the essential continuity between the past and present (Melbourne, 1991).

Such a strong feeling as younger and older writers made connections, different kinds of voices were heard together.

I felt like I was holding something enormous that I created but that it got bigger than me as so many women told me what the book meant to them.

He writes in multiple genres (chiefly poetry, criticism and commentaries) in both his main languages, te reo Mori and English.

He graduated with a PhD (on Colin Wilson) from the University of Auckland, and has published several poetry collections both here and overseas.

Atonement was nominated for a Philippines National Book Award in 2016 and he won the Proverse Poetry Prize the same year.

He edited Ng Kupu Waikato: an anthology of Waikato poetry (2019).

He has also edited multicultural books of poetry with poetry exercises for secondary schools ( Poetry in Multicultural Oceania Book 1, Book 2 and Book 3, and the most recent teaching resource Exploring Multicultural Poetry 2020).

It is a sequence of six parts that go deep into human experience, draw upon multiple languages and exhilarating linguistic effects.

You will move with the sky, rain, trees, from home to home, from the Christchurch attacks to collecting driftwood, to a Waitangi dawn.

The aural intricacy, with its infusion of te reo and English, is like entering poetry cascades, poetic thickets, where you start with sound and are then delivered to radiant cores of experience, anxiety, ideas, feelings, observations, memory.

Lines are kinetic: words fade, elongate, go bold, change font or size, jam against a wall of white space, cram together, relish the the pause, the silent beat, the jumpcut.

The movement affects the ear and the eye, and it feeds into the poets admission he is so far outside the spectrum as he writes in English.

The movement also links to both heart and mind, because these poems, deeply knotted and deftly crafted, present fracture alongside connectivity, jarring alongside assonance.

At times, the lexicon is difficult, unfamiliar words gleam on the line.

Ni Wen Wo Ai Terjemahan